Wang xiao-bo is consider to be an excellent comedist in this thesis.

本文认为王小波是中国当代一位优秀的性小说作家。

Scotland has always had a fine reservoir of comic talent.

苏格兰一直是天才的宝库。

A classic example comes from comedian Jack Benny, famous for his parsimony.

有个经典例子出自以吝啬著称的杰克·班尼。

The comedian’s act drew a large crowd.

那个的表吸引了一大批观众。

The comedian tickled the crowd with his jokes.

的笑话把人们逗乐了。

A stand-up comedian performed a coarse imitation of the President.

滑稽说笑的劣地模仿总统。

Our comic play was a burlesque of a Shakespearean tragedy.

我们的是对莎士比亚一出悲的讽刺性模仿。

The production of the musical comedy was a scenic triumph .

该音乐的制作是戏上的一大成功。

The ending of the play is comic.

此的结局是性的。

The film also contains a hefty dose of comedy.

这部电影同样带有浓厚的色彩。

Beside Shakespeare,Marlowe strikes us as an immature dramatist,especially in his comic scenes.

和莎士比亚相比,马洛给我们的印象是一个不成熟的戏家,特别是他的场面。

The Beano with Dennis the Mennis.

有欢看的片吗?

The comedian's performance was the pits!

这的表糟透了。

What unites the two very different cinematic hits—a slapstick comedy and a 16th-century swashbuckler—is their gung-ho patriotism .

一部是闹哄哄的片，一部描写的是16世纪一位飞扬跋扈的国王，两部题材截然不同的热片共通之处在于都宣扬了爱国主义。

Shakespeare's comedies, histories, and tragedies.

莎士比亚的、历史和悲。

The author used a seemed calmness, impersonal and adiaphorous method to face the topic of the society and history of contemporary China.

荒诞的场面描写和幽默的语言风格是构成这种化色彩的主要手段，作家举重若轻，意味深长，发人深思。

In contrast, Zhao Ben-shan’s comic sketches, filled with an orgastic trait peculiar to comedy in its embryonic stage, have subverted the co...

赵本山的小品则具有萌芽期的狂欢性质,颠覆了惯常大众传媒中被扭曲的农民形象,获得了观众的爱和认同。

Martin Scorsese made the 1985 comedy After Hours as a kind of quick rejuvenator following a long, difficult production on The King of Comedy.

经历「之王」漫长艰难的制作后，马丁史柯西斯将1985年的「下班后」当作快速提神补元气的调剂。

In one trial, a white, goateed, middle-aged man came up as most resembling the young black comedian Chris Tucker — and onlookers exclaimed, "You know, I can see that."

在一次尝试中，一位白皮肤、山羊胡子的中年男子的对比结果竟然是年轻的黑人克里斯·塔克。旁观者们惊呼：“知道么，我觉得们挺像的。”

We are fascinated by rogues, from Chaucer's Pardoner to Del Boy. 9 We are bad at risk-assessment, and repeated surveys show that we fear crime far more than is justified.

从乔叟笔下的忏悔者到热播中的人物德尔小子，这些流氓无赖无一不让我们心向往之。我们并不善于准确判断风险，一次次的调查表明，我们对于犯罪行为的恐惧大大超出了正常范围。